.Although Vives' music is vallenato-adjacent, he still thinks his tracks emotionally attach to folkloric vallenato. True vallenatos, he mentions, determined stories that would certainly take a trip from pueblo to pueblo. Los Angeles Gota Fru00eda, a 1938 vallenato through Emiliano Zuleta that Vives once dealt with, chronicles a battle in between pair of famous accordion gamers. In a similar way, Vives and also Shakira narrated of two good friends meeting up to ride their bikes coming from Santa clam Marta (Vives' home town) to La Arenosa (or Barranquilla, where Shakira is coming from) in "Los Angeles Bicicleta." By documenting a little item of lifestyle in Colombia, Vives maintains the typical storytelling of vallenato through his contemporary songs..